In The Studio

Restauro varnish colours A unique palette for the art of saving art. Reliability is required for the reproducibility and brilliance of every tone, from the colours of medieval and Renaissance paintings to those of contemporary art. They have been created to endure unaltered but...

Acrylic resin (30%); White spirit; UV Filter - Solvent based final varnish. - Does not yellow. - Easy to apply. - Contains UV filter that absorbs ultraviolet rays. - Particularly suitable for outdoors painting.

Imitation gold leaf in convenient blister packaging. Each pack contains 25 leaves (14×14 cm), ideal for decorative projects, crafts, and cost-effective gilding applications.

Hahnemühle Masking Tape is a practical studio essential, designed to secure your paper cleanly while you work. With a width of 15 mm and a length of 20 m, it’s ideal for masking edges, creating crisp borders, or holding sheets firmly in place. Finished...

The Maimeri Palette Knife No. 30 is a professional painting tool designed for mixing and applying colour with ease. Its flexible blade is ideal for creating textured surfaces, broad strokes, and expressive impasto effects, while providing excellent control and durability for everyday studio use.

Ketonic resin 16%; Petroleum distillates 49%; LPG propellant 35%; UV filterProtective colourless varnishProducts a very resistant filmIt is used to varnish thoroughly dry oil paintingsIt dries fastShake before using

Acrylic modelling pastes Eight pastes with modeling density. Rich, doughy, dense, pictorial. They can be used on canvas and any other support as a shapeable, three-dimensional material compliant under the palette knife, docile under the brush. They combine bold character with a unique appearance,...

The Maimeri Palette Knife No. 14 is a durable and versatile tool for mixing colours and applying paint. Its flexible blade offers excellent control for creating textures, clean edges, and expressive strokes, making it ideal for both detailed work and bold impasto techniques.

Plastic children's palette for pouring and mixing paints. Let your creativity and muse shine.

Refined linseed oil, polymerised through heating - High viscosity oil. - It has the tendency to yellow. - It imparts a very glossy finish. - Softens the brush stroke. - It is advisable to wait about one month before applying a final varnish.

Ketonic resin (45%); Petroleum essence; White spirit; UV Filter - Glossy varnish - It does not yellow - Particularly protective thanks to its UV filter - Reversible product with White spirit - Wait till the painting is fully dry before varnishing

Schmincke Acrylic Medium is designed to give acrylic colours a velvety matt, gouache-like appearance. When mixed with acrylic paint, it increases the opacity of transparent colours and has a brightening effect. Ideal for creating matt, opaque surfaces and achieving a gouache-like character with acrylic...

The brand: Schmincke has been producing the best, finest artist paints made in Germany since 1881, which are available in over 60 countries. Blue-drying, odourless masking liquid for covering impossible image areas on watercolour paper, smooth drawing cardboard and similar painting reasons. Ammonia-free synthetic...

Impasto medium for oil painting

Specialized suede-covered pad used as a working surface for cutting and handling loose leaf. Essential for traditional gilding techniques.

Wider gilder’s tip brush for handling larger sheets of gold leaf. Ideal for efficient coverage on broader surfaces.

Fine, flat brush designed for picking up and applying loose gold leaf. Essential tool for precise and delicate gilding work.