Essentials (Fixatives Etc)

Acrylic resin (30%); White spirit; UV Filter - Solvent based final varnish. - Does not yellow. - Easy to apply. - Contains UV filter that absorbs ultraviolet rays. - Particularly suitable for outdoors painting.

Hahnemühle Masking Tape is a practical studio essential, designed to secure your paper cleanly while you work. With a width of 15 mm and a length of 20 m, it’s ideal for masking edges, creating crisp borders, or holding sheets firmly in place. Finished...

Refined linseed oil, polymerised through heating - High viscosity oil. - It has the tendency to yellow. - It imparts a very glossy finish. - Softens the brush stroke. - It is advisable to wait about one month before applying a final varnish.

Ketonic resin (45%); Petroleum essence; White spirit; UV Filter - Glossy varnish - It does not yellow - Particularly protective thanks to its UV filter - Reversible product with White spirit - Wait till the painting is fully dry before varnishing

The brand: Schmincke has been producing the best, finest artist paints made in Germany since 1881, which are available in over 60 countries. Blue-drying, odourless masking liquid for covering impossible image areas on watercolour paper, smooth drawing cardboard and similar painting reasons. Ammonia-free synthetic...

Bundle of Black/Red/Grey/White, 6-25mmx20m Hahnemühle Masking Tape is a practical studio essential, designed to secure your paper cleanly while you work. With a width of 15 mm and a length of 20 m, it’s ideal for masking edges, creating crisp borders, or holding sheets...

Refined petroleum distillate, aromatic-free - Almost completely odourless and colourless fluid. - It has a moderate solvent power. - Suitable for people sensitive to the odour of normal solvents. - Use in well-ventiled places. - It is better not to exceed the use of...

Refined linen seed extract - Drying oil. - It has the tendency to yellow. - Good drying time. - Used as medium, increases the brightness and glossiness of the colours. - Softens the brush stroke.

A ready-to-use water-based varnish. Apply with a brush over patina varnish, about 6 to 8 hours after application. After cracking, protect with an additional layer of patina varnish. The size of cracks will depend on environmental conditions: temperature and humidity. You may darken cracks...

Display book, 40 pockets, black outside with clear sheets Tough, durable, polypropylene covers Won't fade, rip or fray Clear, non-stick, top loading poly pockets

Restore clarity and brilliance to your oil paintings with Schmincke Surface Cleaner for Oil Paintings. This gentle yet effective cleaner is specially formulated to remove surface dirt, nicotine, and light grime without damaging the paint layer. Ideal for artists, conservators, and collectors, the convenient...

Thixotropic alkyd resin (15%); White spirits; Thickeners - This is a semi-glossy amber-coloured medium. - Improves fluidity. - Increases the transparency of colours without altering their consistency. - Softens the brushstroke. - It is easy to mix, using brush or palette-knife. - Can be...

Anionic surfactant; Sodium salt of a carboxylate polyelectrolyte - Straw-coloured Ammonia-free cleanser. - Odourless. - It can be mixed and diluted with water. - Non-hazardous for human health nor for the environment. - It thoroughly cleans all the tools used in painting such as...

Organic Solvent; Colourlesss thinner suitable for all oil colors. - Barely perceptible odour. - The ideal alternative to traditional solvents. - Mixable with water. - Non-hazardous for human health nor for the environment. - It reduces the viscosity of oil colours.It softens the paste....

Urethane oil and Alkyd resin (56%); White spirit; Drying agents - Fatty amber varnish, gives the painting an antique look. - It is used as a base for the Picture cracking finish. - It yellows in time.

Clear binder medium ideal for mixing with metallic powders to create custom bronze or metal effect paints.

Acrylic resin in water emulsion (80%); Stabilisers - An alternative to traditional solvent based varnishes. - Easy to apply. - Increases uniformly brightness of colours. - It enhances the colour brightness. - It does not yellow with time.

Venetian turpentine (91%); White spirit - Amber solution, also called “Fatty essence”. - It is used as medium for oven ceramic pigments. - Suitable as medium in oil painting. - It increases the gloss and flexibility of the painting.