Mediums

Acrylic resin (30%); White spirit; UV Filter - Solvent based final varnish. - Does not yellow. - Easy to apply. - Contains UV filter that absorbs ultraviolet rays. - Particularly suitable for outdoors painting.

Refined linseed oil, polymerised through heating - High viscosity oil. - It has the tendency to yellow. - It imparts a very glossy finish. - Softens the brush stroke. - It is advisable to wait about one month before applying a final varnish.

Ketonic resin (45%); Petroleum essence; White spirit; UV Filter - Glossy varnish - It does not yellow - Particularly protective thanks to its UV filter - Reversible product with White spirit - Wait till the painting is fully dry before varnishing

Schmincke Acrylic Medium is designed to give acrylic colours a velvety matt, gouache-like appearance. When mixed with acrylic paint, it increases the opacity of transparent colours and has a brightening effect. Ideal for creating matt, opaque surfaces and achieving a gouache-like character with acrylic...

The brand: Schmincke has been producing the best, finest artist paints made in Germany since 1881, which are available in over 60 countries. Blue-drying, odourless masking liquid for covering impossible image areas on watercolour paper, smooth drawing cardboard and similar painting reasons. Ammonia-free synthetic...

Impasto medium for oil painting

Refined petroleum distillate, aromatic-free - Almost completely odourless and colourless fluid. - It has a moderate solvent power. - Suitable for people sensitive to the odour of normal solvents. - Use in well-ventiled places. - It is better not to exceed the use of...

Refined linen seed extract - Drying oil. - It has the tendency to yellow. - Good drying time. - Used as medium, increases the brightness and glossiness of the colours. - Softens the brush stroke.

A ready-to-use water-based varnish. Apply with a brush over patina varnish, about 6 to 8 hours after application. After cracking, protect with an additional layer of patina varnish. The size of cracks will depend on environmental conditions: temperature and humidity. You may darken cracks...

A dense paste reproducing the surface of papier-mâché. Ready-to-use, adheres well to all surfaces. May be coloured when dry or mixed with any water-soluble colour. May be modelled with a palette knife.

The Schmincke auxiliaries form a very comprehensive and professional range of auxiliaries for all painting techniques and all types of paint, from priming to finishing.

PRIMO Acrylic Pouring Medium is specially formulated for use with PRIMO acrylic paints in pouring techniques. It helps the colours spread into smooth, even layers and is designed to reduce the formation of air bubbles beneath the paint surface. For best results, mix 1...

  Schmincke Opaque White is a versatile medium that can be used pure as an opaque white with a brush or nib. When mixed with AQUA DROP colours, it lightens the colour and increases opacity depending on the amount added. Ideal for creating opaque...

Schmincke Pouring Medium is a fluid acrylic medium specially developed for pouring techniques. It provides excellent flow properties and helps reduce cracking, making it ideal for creating smooth, flowing colour effects. It can be used pure or mixed with acrylic colours in any ratio....

Schmincke Acrylic Fluid Medium – Satin-Matt is a gently flowing medium for acrylic colours. It increases transparency, improves adhesion and slightly extends the drying time. The medium dries nearly clear with a satin-matt finish and is ideal for working on large surfaces. Can be...

Maimeri Walnut Oil is a refined artist medium that enhances the flow and transparency of oil colours. It dries more slowly than linseed oil while offering excellent resistance to yellowing, making it particularly suitable for light and delicate tones. Ideal for glazing, blending, and...

Maimeri Poppy Seed Oil is a high-quality artist medium made from refined poppy seeds. Its exceptional clarity and resistance to yellowing make it ideal for whites and light colours. With a slower drying time than linseed oil, it allows for extended blending and smooth...

Thixotropic alkyd resin (15%); White spirits; Thickeners - This is a semi-glossy amber-coloured medium. - Improves fluidity. - Increases the transparency of colours without altering their consistency. - Softens the brushstroke. - It is easy to mix, using brush or palette-knife. - Can be...

Anionic surfactant; Sodium salt of a carboxylate polyelectrolyte - Straw-coloured Ammonia-free cleanser. - Odourless. - It can be mixed and diluted with water. - Non-hazardous for human health nor for the environment. - It thoroughly cleans all the tools used in painting such as...

Organic Solvent; Colourlesss thinner suitable for all oil colors. - Barely perceptible odour. - The ideal alternative to traditional solvents. - Mixable with water. - Non-hazardous for human health nor for the environment. - It reduces the viscosity of oil colours.It softens the paste....